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    Chollima Korea Chapter 2:

The Leader

 This much one should say by way of preface: in North Korea the Revolution, the history of the state and the Leader, Kim Il-Sung, are considered identical. Without delay the visitor is told: "If you do not know the history of our Leader you cannot understand our country."

 

Mangyongdae, birthplace of the Leader

 

On April 15th the birthday of the Leader is celebrated throughout the whole country.

 

According to the official version, Kim Il-Sung was born on this date in the year 1912 at Mangyongdae, a little hamlet west of Pyongyang on the Taedong River, the big river in the north of Korea. Every visitor from abroad is led to his birthplace; North Koreans see it at least once in their lifetime. The other houses of the hamlet were torn down and the surroundings of the birthplace converted into a park. This house is one of the relics in the foundation-myth of the state. From dawn to dusk, the whole year round, troops of visitors arrive --from kindergarten children to factory corps-- to be guided in goose-step through the national sanctuary. The march-columns, many of which have been driven here in buses or on trucks, wait in a disciplined manner until it is their turn to pass --sightseeing-- in review. Following this, one goes to a nearby museum, where the history of the revolutionary family and the Leader's revolutionary childhood are shown in pictures and texts. Thus goes the official version:

 

Mangyongdae is the cradle of the Korean Revolution. Mangyongdae is as dear to each Korean as his own birthplace. Here was born comrade Kim Il-Sung, the Leader of the forty million Koreans (North and South Koreans together), the incomparable patriot, the national hero, the always-through-his-iron-will-victorious-and-excelling Leader, and one of the outstanding Leaders of the international communist and workers' movement. And here he spent his childhood. Today our people in the socialist fatherland lead an infinitely happy life, which will become ever happier under the sunlight which emanates from the great Leader, who has always led the Korean revolution to victory and glory, by taking upon himself the fate of the fatherland and the nation.

 

In the park surrounding the birthplace the visitor is also directed to other remarkable sites of worship. There is, for example, the tree that little Kim Il-Sung is supposed to have climbed, thus revealing at such an early age his high aspirations. Or the "war-rock" is pointed out, a boulder on which young Kim Il-Sung had played soldiers with his friends and cried out: "Throw the Japanese out of Korea." Kim Il-Sung spent the first four years of his childhood in this hamlet.

 

Kim Il-Sung, it is true, is celebrated as the founding hero of the state, to whom the Korean people are said to owe everything and with whom the true history of the people is supposed to have begun; but his father and his mother, both of them descending from progressive, patriotic families, are also tied into this history and constitute, so to speak, the elements of its pre-history. The whole family is venerated as a holy family. So the father, Kim Hyong-Jik, who was a teacher by profession, is introduced as a nationalistic freedom-fighter, who was arrested in 1917, fled to Manchuria in 1918, and is said to have started a school there for the daughters of poor farmers. The mother, Kang Ban-Sok (in Korea the women keep their maiden names after marrying), the model of the Korean woman, supported her husband and her son in their revolutionary work. She is said to be the mother of Korea.

 

Holy Leader-Water at Bonghwa-Ri

 

Bongwha Ri is another national relic and stage of the myth with which the visitor is confronted. It is a village at some greater distance from Pyongyang, where the family moved in 1916 when the father, Kim Hyong-Jik, got a position there as a teacher. The school building and the house they lived in are the centers of attraction for Korean pilgrims. Here particularly the father is extolled as a revolutionary teacher. Here the father implanted patriotic views in his son and in the farmers, and organized the national resistance against the Japanese. Here clandestine meetings took place on mountains and under trees, and in 1917 the father was arrested at this place. Worth mentioning in this connection is a spring from which the family fetched water. Every Korean visiting this national shrine today goes to this spring to drink the water from which the Leader drew his strength. Many of them bring along special vessels to take some of this miraculous water home.

 

Such sanctuaries in connection with the foundation-myth, places where the Leader made exceptional decisions, fought important battles or founded something, are numerous in the People's Republic of Korea. Among the most important of them is Mt. Paek-tu-san on the border with China. Here the Leader in 1936 founded the "League for the National Rebirth of the Fatherland" and established a few guerrilla camps during the anti-Japanese struggle. This snow-covered mountain (Paektu-san means "white-head-peak") is not only a destination for national pilgrimages but, above all, the symbol of the foundation of the nation. It is interesting to note that also the last imperial dynasty of China, the Manchu, traced back its origin to this mountain. A magpie is said to have brought a red-colored fruit to a white-clad maiden on the shore of lake Bôlhuri; the girl ate it and consequently gave birth to the first Manchu prince. Here it is important to know that the myth of origin of the People's Republic of Korea in many ways leans heavily in its construction upon old models. But the Manchurian myth, expressing the act of procreation in its sexual symbolism, is sheer materialism compared with the helpless farce of the myth about the hero, Kim Il-Sung. Every classical myth expresses the collective experiences of a people, i.e., of its civilizational process. The myth of Kim Il-Sung is a mere instrument of power.

 

A Kindergarten visiting Bongwa-Ri

 

As a last important example of the places of national cult Bochonbo must be mentioned. This place is also situated on the Korean-Chinese border. Here, on June 4, 1937, the victorious battle against Japanese troops took place representing the final liberation of the country from Japanese occupation. Strictly speaking, there is a difficulty in constructing the myth of having the country liberated by its hero. Kim Il-Sung, if we follow the official history, left Korea at the age of fourteen saying he didn’t wish to return to his home country until it was free. Consequently, he stayed in Manchuria from 1926 on, and only in 1945, with the Soviet troops, returned to Korea. The strong emphasis on the battle at Bochonbo (this place at least lies in Korean territory) is supposed to bridge over this difficulty. Except for this incident, Kim Il-Sung directed the struggle for freedom against the Japanese occupation only from abroad --this also according to the official version. That’s why also Bochonbo has been turned into a shrine for veneration. A gigantic monument, 78 meters in length and 48 meters in height, in the manner of socialist realism, Stalinist-style, has been put up to glorify the heroes of the national struggle for liberation.

 

The future Leader leaves his native place

 

In the People's Republic of Korea art, in the genre of socialist realism, is supposed to help overcome the difficulty of documenting Kim Il-Sung's role in the liberation of the Korean people from Japanese imperialism. Except for two or three strongly retouched pictures, there are no photos showing Kim Il-Sung as a partisan like Fidel Castro, Che Guevara or Mao Zedong. All the "documents" showing Kim Il-Sung in the guerilla camp, with weapons or without them, explaining future tactics to a group of partisans as Leader of the guerrillas, are art products from the workshops of illustrators of the national myth. Examining the products of art in the People's Republic of Korea, one can say that it is the task of socialist realism to illustrate the national myth.

 

Besides the great historical monuments, the obeisance paid small relics plays an important role in the People's Republic of Korea. In the "Pioneers' Hall" in Pyongyang, for example, there is a room with collections of chairs and sofas on which the Leader is said to have once sat on, and tables where he drank tea, as well as cups, plates, forks, knives, chopsticks, napkins and ashtrays he is said to have once used. In the Kangson Steelworks near Pyongyang, a rock on which Kim Il-Sung is said to have once sat was promptly put in a glass case. In the museums, all kinds of pistols, field glasses, writing instruments, articles of clothing, etc. Kim Il-Sung is said to have once used, are shown with awe to the visitor.

 

The Leader receives the weapons from his mother

 

What does the Leader's relation to socialism look like now? Kim II-sung grew up in a nationality-conscious family where the liberation of the country aroused more nationalist than socialist ideas. Obviously there was no connection with the "Group for the Study of Marxism," founded in 1919 in Korea, and which published the Communist Manifesto. Neither did his family maintain any contacts with the Communist Party of Korea, founded in 1925. Therefore, in this point the official biography shows signs of having been dealt with touchingly. It has Kim Il-Sung in 1926, at the age of fourteen, founding “Down with Imperialism,” the first Marxist-Leninist organization in Manchuria, with the aim of "building socialism and communism in Korea." At the same time, when fourteen years of age he is said to have already overcome “the infantile disease of the left and right of communism," although he had not become acquainted in with the Communist Manifesto, Das Kapital and other classics of Marxism-Leninism before 1927, when at fifteen years of age he entered the middle school of Kirin, Manchuria. Consequently, early Communist movements in Korea are officially disqualified: the Communist Party, founded in 1925 is labeled a petit bourgeois, sectarian club of intellectuals, although --as a consequence of industrialization through the Japanese-- there already existed a workers' proletariat, which had organized a few important demonstrations and strikes, and possibly had been a basis for the Communist Party. In contrast, poor farmers, who still partially engaged in slash and burn farming, almost exclusively inhabited the border areas in Manchuria. The official biography states then --already anticipating the future Leader: "In 1928 the Communist Party was declared unlawful by the Japanese authorities in Korea; it was not unified and had not overcome factional strife because it lacked an outstanding Leader. Now the Korean people were waiting for their outstanding Leader, Kim Il-Sung, who was already carrying the successful way of the revolution within himself."

 

Kim Il Sung as a guerrilla-captain

 

Kim Il Sung as a red Napoleon

 

In 1929, at the age of seventeen, Kim Il-Sung was thrown into prison at Kirin because of his anti-Japanese activities. In 1930 he was released. After that he is said to have analyzed the political situation and to have developed the idea of Ju-tse. Ju-tse is the formula with which Kim Il-Sung is said to have further creatively developed Marxism-Leninism. People say that he had adapted Marxism-Leninism to the Korean situation. Ju-tse is a Korean word meaning something like sovereignty, self-reliance or simply "create with one's own strength." On July 1, 1969, Kim Il-Sung himself answered the question posed to him by the general director of the VAR Publishing Company, Dar-al Tachrir, what he understood by Ju-tse:

 

We carry out the Korean revolution. The Korean people, more than anybody else, are acquainted with the Korean revolution. The masters of the Korean Revolution are the Korean people, and the decisive factor of the victory of the Korean Revolution is our own strength. With reference to the Korean revolution, no foreigner has the right to give us a prescription about how to act in this and that case, and no foreigner can carry out the Korean Revolution for us. To carry out the Korean Revolution successfully the masters themselves, the Koreans, must think wisely, and in the spirit of the Korean Revolution solve all the pertinent problems with their own strength.

 

Incidentally, this formula was repeatedly conjured up with special vehemence at those times when their own strength was not sufficient to solve a problem: for example in 1945, when the Japanese troops were defeated by the allied forces, or in 1950, when the Korean War would have ended in utter defeat for North Korea without intervention by China.

 

The ideology of Ju-tse corresponds approximately to the Stalinist formula, according to which the culture has to be nationalist in form and socialist in essence. Kim Il-Sung obviously took over from Stalin this contradictory formula, which later became the basis for the ideology of the national revolution, and then passed it off as his own product, as the miraculous formula, Ju-tse. Ju-tse in North Korea today has come to be in itself the anti-analytical, anti-enlightening sacrosanct word with which all decisions by the Leadership are justified. When “according to the idea of Ju-tse” is uttered, it means that the Leader has, in his sovereign power, made a decision for the people.

 

The Leader, it is true, does not exercise his power directly, but rather indirectly through a hierarchy of functionaries who are, to a certain extent, representatives of the Leader, or sub-Leaders. It becomes clear through certain linguistic usages that this hierarchy is closely related to traditional Korean despotism. In the People's Republic of Korea there are two expressions for the word "comrade": the one expression is a Sino- Korean word pronounced "dong-ji”; the other is "dong-mu," and is a purely Korean word. Both can be translated as "friend." As the upper layer in traditional Korean society used Chinese words in written and spoken language, the Sino-Korean expression "dong-ji" is the more refined and polite one, and is used when addressing people in a higher position. So the worker addresses the director of the company with dong-ji, while the other way around it is dong-mu that is used. The usage of these words illustrates the hierarchical structure. It reaches even into the family circle, where the husband uses dong-mu to his wife while she addresses him as dong-ji. The specific usage of the words dong-ji and dong- mu, meaning "comrade," already points to the hierarchical character of North Korean society.

 

Young pioneers during the feast at Mangyongdae

 

Furthermore, the functionaries’ fear of contact with the people makes this hierarchy visible. They move about only in official cars for functionaries. If children or idle lookers-on get too close they are chased away by the driver. The functionaries have theater entrances of their own and make purchases in special shops, where otherwise only foreign diplomats are admitted. They talk to the people like a military commander to a private. The pictures, too, showing Kim Il-Sung among workers, farmers, or children, only emphasize that he really is not one of the people but in fact stands high above them; but he condescends because he is the good father who has taken his children's concerns to heart.

 

Now on the 15th of April, all over the country the people celebrated his birthday in events to show him their gratitude. In the afternoon of that day the initiation of 1,000 young "Pioneers" took place on the square in front of the "School of the Revolution" at Mangyongdae. There was a big ceremony with many spectators present. (This "School of the Revolution" being equivalent to a military school, was built for war-orphans, who are being trained to become revolutionaries according to the spirit of their new father, Kim Il-Sung.) At this initiation ceremony the eight-year-old boys pledged to do their duty as Pioneers. When this was finished, the various groups of Pioneers performed symbolically, by way of mass games, the heroic epos of the Leader and of the party. These are impressive, and not only for the foreigners. Their games, which illustrate the national myth, are immediately recognized by even the youngest, but they function to suppress the individual (if we may apply this conception to North Korea) development of the imagination even in the bud.

 

Mass games picture

 

Technically these tableaus are produced thus: Let us say we have 100,000 participants. The tableaus to be presented will be put together in dots, similar to the pictures on a TV screen or wire photo; each actor is given a book of colored pages bound in the sequence of the pictures to be formed. All that the actors have to do to produce a new picture is to turn a page on command. Officially these mass games are praised as a new form of folk-art, although they represent one of the most perfect forms of art destruction. The character and intention of these games become perfectly clear through a story that is told to the visitor, mainly to underline their uniqueness. It goes like this: Sukarno, when years back he was still president, wanted to introduce these mass games into Indonesia and had, especially for this purpose, asked for advisors from Pyongyang. The experiment ended in failure, however, as the Indonesians are not as disciplined as the Koreans.

 

Mass games picture

 

On the evening of April 15th, a public festival took place on he Kim Il-Sung Plaza in Pyongyang in honor of the Leader. The whole city, as always on feast days, was aglitter in neon lights and looked like a provincial town in the American Midwest, only that the lights were not advertising Coca Cola, Ohio Popcorn or Kentucky Fried Chicken but rather the symbols of the national revolution. The students of Kim Il-Sung University recited poems and performed songs to the Leader, transmitted with echo-effect by means of large loudspeaker-trucks. A huge choir, standing in front of a gigantic illuminated portrait of the Leader at the head of the plaza, also presented parts of the heroic epos. To and fro flitted over it streams of bluish light from army spotlights, bathing the scene in a mysterious, mystic atmosphere. Lengthwise along the square, colossal portraits of Marx and Lenin in wide, baroque frames had been hung on the front of a building, and on the opposite side, in lighter tints, another picture of the Leader.

 

Glory and gratitude to the Leader